Friday, September 19th, 2008
From August. In the comments, some people point out some of the errors in the article, but nonetheless a good article. The article talks about the development of the Red One, about Peter Jackson shooting Crossing the Line and Steven Soderbergh shooting his Che Guevara biopics with Red One prototypes, and shows some footage shot on the camera. For fun, see if you can find the errors without peeking. And I know, I know, if you don’t have a good story- it doesn’t matter what camera you are shooting on.
11/14/08 Update: Red reveals specs!
Tags: analog, art, camera, Che, cinema, Crossing the Line, digital, dumbworld, entertainment, film, filmmaking, Guevara, hollywood, its, jackson, jannard, magazine, match, media, meets, motion, movies, NAB, one, peter, picture, red, scarlet, Steven Soderbergh, video, wired
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Thursday, July 24th, 2008
Following up on my post last week on the Red One, I found this article on the Editing Workflow for the Red One.
It also goes into some high profile projects that have been shot on the Red One:
RED ONE is proving itself out in the field, providing VFX shots on the action film Wanted and the sci-fi fantasy Jumper, as well as 100 percent of the acquisition on Steven Soderbergh’s Guerrilla, The Argentine and The Informant. In addition, the directing team that delivered the digitally-shot Crank is shooting their upcoming Game as an all-RED feature film production. Not to mention many lower-profile productions ranging from commercials and music videos to indie film projects.
Read it here.
Tags: art, dumbworld, Editing, entertainment, film, Filmmaker, filmmaking, Guerrilla, jumper, media, red one, sacramento, Steven Soderbergh, videography, Wanted
Posted in Editing, Tech | No Comments »
